Early studies and explorations from our design process. Every piece we make begins here — a drawing, a stone we can’t stop thinking about, a shape worth chasing.

A pair of diamond wings unfurling from a central sapphire — tapered baguettes laid feather-fine in rose gold, caught mid-flight.

A cocktail ring built around a single emerald-cut stone, its cluster set deliberately off-axis — architecture you can wear.

A pear-cut emerald set point-up in warm rose gold — unapologetically maximal, meant to be the whole conversation.

An Asscher held almost in mid-air — the platinum band bypasses itself, so the stone seems to float.

A parure in three voices — diamond, tanzanite and pearl — drawn to be worn together, or taken apart.

A bridal collar drawn as a crescent — a single continuous sweep of pavé that follows the line of the neck.

Chandelier drops around a colour stone — sketched for movement first, to catch the light as she turns.

A close-set choker with drops to match — proportioned for every day, not only occasions.

Tanzanite at the centre, rose gold around it — a necklace and its earrings conceived as a single idea.

A broad collar softened by pearls — the study where diamonds and pearls learn to share a line.

Our winged V-necklace, redrawn lighter — the same signature at half the weight, twice the wearability.
Any of these can become yours — reimagined in your metal, your stones, your proportions. Tell us which study speaks to you, and we’ll take it from sketch to finished piece.